There are many ways to do a day for night colour grade. When using DNG and combining the powerful features of the raw tab, I show you how to get the basic look of this theatrical post production tip. Then with power window; elements like headlights, tail lights. glow o...

There is still some confusion between Log and Raw among some production professionals. This quick video will set you straight in no time at all.  For more information about colour grading and how it can be part of your work flow contact us now.

This post shows the best way to deal with a 1080 time line and 4K images when round tripping in DaVinci Resolve.

Working with a colourist is an important step in the post production process one that can be over looked.  In this short video, I show you a few important reasons that you would need a colourist in your next video production.  Establishing a look, Working with raw imag...

When transferring, your XML from Final Cut 10, all Premier Pro
and Avid. Sometimes not all the files Will come across into your resolve time. This can happen for various reasons. In this video I give you a great workaround in order to complete your timeline before grad...

A Grade breakdown of a shot intended for a bespoke outdoor screen in London. In this video I show my complete process on the grade and delivery in Davinci resolve and Premier pro. If if you have any grading requirements please get in touch. info@eightfivetwo.net

This video will help you a lot if you use Final cut pro as your NLE and you want to get it colour graded.It gives a step by step on how to export an event onto an external drive. This is handy if you want to work on a project while on the run as well.

Just like when you edit natively in DaVinci and you are working with 4K media in a traditional 1080p timeline.  you can encounter similar issues when importing a  time line form an outside NLE

This video is the second video that addresses sizing issues colourist mi...