Featured Posts

October 10, 2017

When transferring, your XML from Final Cut 10, all Premier Pro
and Avid. Sometimes not all the files Will come across into your resolve time. This can happen for various reasons. In this video I give you a great workaround in order to complete your timeline before grad...

September 22, 2017

A Grade breakdown of a shot intended for a bespoke outdoor screen in London. In this video I show my complete process on the grade and delivery in Davinci resolve and Premier pro. If if you have any grading requirements please get in touch. info@eightfivetwo.net

August 22, 2017

Just like when you edit natively in DaVinci and you are working with 4K media in a traditional 1080p timeline.  you can encounter similar issues when importing a  time line form an outside NLE

This video is the second video that addresses sizing issues colourist mi...

August 4, 2017

One of the new features in DaVinci Resolve 14 is a white balance feature. In this demonstration we see how it works. It is by no means a get out of jail card, however its a good start for colour grading.  Ideally you wold use a colour chard to select your balance thoug...

July 17, 2017

See how people have benefited from color grading  in the Eight Five Two suite. Using the Hollywood standard DaVinci Resolve. If you would like to Know more about colour grading and how it can be part of your workflow please get in touch.

July 14, 2017

This video explains the simple but crucial steps needed to get your material ready to be handed off to a colorist. In a nutshell "By failing to prepare, you are preparing to fail. - Benjamin Franklin

These simple procedures will help you save time in your grade, allowin...