Featured Posts

January 4, 2018

There is still some confusion between Log and Raw among some production professionals. This quick video will set you straight in no time at all.  For more information about colour grading and how it can be part of your work flow contact us now.

October 10, 2017

When transferring, your XML from Final Cut 10, all Premier Pro
and Avid. Sometimes not all the files Will come across into your resolve time. This can happen for various reasons. In this video I give you a great workaround in order to complete your timeline before grad...

September 22, 2017

A Grade breakdown of a shot intended for a bespoke outdoor screen in London. In this video I show my complete process on the grade and delivery in Davinci resolve and Premier pro. If if you have any grading requirements please get in touch. info@eightfivetwo.net

August 22, 2017

Just like when you edit natively in DaVinci and you are working with 4K media in a traditional 1080p timeline.  you can encounter similar issues when importing a  time line form an outside NLE

This video is the second video that addresses sizing issues colourist mi...

July 28, 2017

This video will help you understand the quirks of large frame file formats on a 1080 time line.

I show you two of the steps to match your 2k and 4K vision into your timeline. Resolve is only getting  better as an non linear editor.

July 14, 2017

This video explains the simple but crucial steps needed to get your material ready to be handed off to a colorist. In a nutshell "By failing to prepare, you are preparing to fail. - Benjamin Franklin

These simple procedures will help you save time in your grade, allowin...