Featured Posts

January 23, 2018

There are many ways to do a day for night colour grade. When using DNG and combining the powerful features of the raw tab, I show you how to get the basic look of this theatrical post production tip. Then with power window; elements like headlights, tail lights. glow o...

January 4, 2018

There is still some confusion between Log and Raw among some production professionals. This quick video will set you straight in no time at all.  For more information about colour grading and how it can be part of your work flow contact us now.

September 13, 2017

This video will help you a lot if you use Final cut pro as your NLE and you want to get it colour graded.It gives a step by step on how to export an event onto an external drive. This is handy if you want to work on a project while on the run as well.

August 4, 2017

One of the new features in DaVinci Resolve 14 is a white balance feature. In this demonstration we see how it works. It is by no means a get out of jail card, however its a good start for colour grading.  Ideally you wold use a colour chard to select your balance thoug...

July 28, 2017

This video will help you understand the quirks of large frame file formats on a 1080 time line.

I show you two of the steps to match your 2k and 4K vision into your timeline. Resolve is only getting  better as an non linear editor.

July 17, 2017

See how people have benefited from color grading  in the Eight Five Two suite. Using the Hollywood standard DaVinci Resolve. If you would like to Know more about colour grading and how it can be part of your workflow please get in touch.