Featured Posts

January 23, 2018

There are many ways to do a day for night colour grade. When using DNG and combining the powerful features of the raw tab, I show you how to get the basic look of this theatrical post production tip. Then with power window; elements like headlights, tail lights. glow o...

December 14, 2017

This post shows the best way to deal with a 1080 time line and 4K images when round tripping in DaVinci Resolve.

December 7, 2017

Working with a colourist is an important step in the post production process one that can be over looked.  In this short video, I show you a few important reasons that you would need a colourist in your next video production.  Establishing a look, Working with raw imag...

September 13, 2017

This video will help you a lot if you use Final cut pro as your NLE and you want to get it colour graded.It gives a step by step on how to export an event onto an external drive. This is handy if you want to work on a project while on the run as well.

August 4, 2017

One of the new features in DaVinci Resolve 14 is a white balance feature. In this demonstration we see how it works. It is by no means a get out of jail card, however its a good start for colour grading.  Ideally you wold use a colour chard to select your balance thoug...

July 28, 2017

This video will help you understand the quirks of large frame file formats on a 1080 time line.

I show you two of the steps to match your 2k and 4K vision into your timeline. Resolve is only getting  better as an non linear editor.

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Sizing 3 Round tripping 4K images in a 1080 time line

December 14, 2017