Featured Posts

January 4, 2018

There is still some confusion between Log and Raw among some production professionals. This quick video will set you straight in no time at all.  For more information about colour grading and how it can be part of your work flow contact us now.

August 22, 2017

Just like when you edit natively in DaVinci and you are working with 4K media in a traditional 1080p timeline.  you can encounter similar issues when importing a  time line form an outside NLE

This video is the second video that addresses sizing issues colourist mi...

August 4, 2017

One of the new features in DaVinci Resolve 14 is a white balance feature. In this demonstration we see how it works. It is by no means a get out of jail card, however its a good start for colour grading.  Ideally you wold use a colour chard to select your balance thoug...

July 28, 2017

This video will help you understand the quirks of large frame file formats on a 1080 time line.

I show you two of the steps to match your 2k and 4K vision into your timeline. Resolve is only getting  better as an non linear editor.

July 17, 2017

See how people have benefited from color grading  in the Eight Five Two suite. Using the Hollywood standard DaVinci Resolve. If you would like to Know more about colour grading and how it can be part of your workflow please get in touch.

July 14, 2017

This video explains the simple but crucial steps needed to get your material ready to be handed off to a colorist. In a nutshell "By failing to prepare, you are preparing to fail. - Benjamin Franklin

These simple procedures will help you save time in your grade, allowin...